Theresa Ganz and Millee Tibbs are two photo-based artists working in that very trendy genre of landscapes with stuff plopped on top. Which is not to say that trendy can’t be interesting; I actually like some of Tibbs’ pieces, snowy lakesides and a suite of mountains overlaid with some stitched geometric business. Ganz’s larger pieces are more theoretical, digitally altered in fairly subtle ways to reflect twenty-first century interactions with nature. The cut and collaged layers are aesthetically intriguing, but overall it’s not especially clear whether they’re meant to be read politically or not.
No Man’s Land
